My sister absolutely hated this record, saying that being 17 was bad enough without having to listen to a depressing song about it.
I thought “the season of mists and mellow fruitfulness” was a surprisingly poetic cover line for a teen magazine, so I looked it up and it is from a poem: “Autumn” by John Keats (though he didn’t write that last bit obviously).
Very sophisticated and cultured of Jackie to be quoting Keats on their front cover which would be unthinkable for a mainstream glossy today. You couldn’t imagine Seventeen having nothing but a line from Phillip Larkin on their cover.
I guess they were trying to be lyrical about the coming of autumn which is a good excuse to dig out this beautiful Bobbie Gentry song (even if it is about Spring).
Download: Seasons Come, Seasons Go — Bobbie Gentry (mp3)
If you like my “Tribes of Britain” posts then you’ll really like the wonderful blog What We Wore which also chronicles British youth style but also has stories from the people in the photos so it’s far more interesting.
You may think this is just a funny song about some bloke buying a new suit but it’s actually one of the most subversive singles of the 1950s: a devastating critique of materialist desire, capitalism, and how the working classes try to achieve status through their clothing. Really.
Download: Shopping For Clothes — The Coasters (mp3)
PC Music are something of a “Marmite” record label, you either love or hate the high-fructose pop they put out. I’m firmly in the former camp and think their latest release “Hey QT” — a collaboration between producer AG Cook and Sophie (actually a bloke) — is one of the best pop records I’ve heard all year. It’s certainly the most insanely catchy.
Bold choice of Gary Numan to release a moody, violin-driven ballad with no actual chorus as a single from The Pleasure Principle but this still got to No.6 in the UK charts. Clearly the man could do no wrong in 1979, at least as far as the record-buying public were concerned.
Though it’s probably hip to like Numan now a lot of people thought he was a bit of a joke at the time (myself included), but this is one of his records (along with “Down In The Park”) that I loved even then. Terrific video too, looking very analog retro-futuristic now.
I may have mentioned before that I once had a letter printed in Smash Hits. I don’t have the issue anymore and for some reason I only recently thought about searching through the archives at the terrific Like Punk Never Happened blog to find this major event of my youth. Here it is, from the March 6th, 1980 issue:
I was 17 when I wrote that, and while there’s no denying my teenage passion, my prose style could use some finesse (no change there). I remember being shocked — and then thrilled of course — that they’d actually published something I wrote. It was the first letter on the page too which made me doubly chuffed.
The Pretenders had only just become stars with the chart-topping success of Brass In Pocket but I’d been a fan since their first single so was smugly protective of them in the way only a I-liked-them-before-you-did fan of a newly-popular band can be. I was totally smitten with Chrissie Hynde too, so when this C. Wills fellow expressed his (still) idiotic opinion in this letter I was moved to defend her from the “blinkered” opinions of the unthinking masses in typically self-righteous teenager fashion.
I’m not entirely sure why I included The Police in my angry denunciation of “narrow minded hero worship” but they had also recently made the leap from minor act to big pop stars and I guess I must have been a bigger fan of theirs than I remember.
I am rather proud of the fact that I stood up for “real” women in rock music, though my feminist credentials are somewhat tarnished by the fact that I had one of those awful “sexy” posters of Debbie Harry on my own bedroom wall at the time, so I don’t know what I was being so high and mighty about. That last sentence is pretty good though, and I still think anyone who doesn’t love Chrissie Hynde’s voice needs putting away.
What’s most interesting to me is that this is the authentic voice of my 17-year-old self. My mother was an inveterate chucker-away of things and I never kept anything either, so I have nothing that I wrote (or drew) in my youth — no school essays, no diaries, no notebooks, none of the comics I created — so this might be the only thing written by the younger me that still exists. Reading it now is like some Back To The Future moment where I’m confronted by a teenage version of myself. It was so long ago I don’t know that kid anymore, but I do recognize the smug, superior tone common to teenagers with opinions they think are the absolute truth. It could be worse I suppose, while I was certainly too harsh on Debbie Harry (she was no bimbo) I should be thankful that I’m not expressing any of the really stupid opinions which I know I had back then. Thank you teenage me, for not embarrassing your future self.
Not using my real name was obviously a ploy to make me seem far cooler than I was.
Download: Tattooed Love Boys – The Pretenders (mp3)
Somehow Gemma Ray has put out six albums without me ever hearing of her before, but I’m so glad I have now because I think she’s terrific and always love it when I have a load of new music to get into.
The closest equivalent to Gemma I can think of is Richard Hawley and Nick Cave: atmospheric, moody songs with a twangy-guitar retro vibe. Her new album Milk For Your Motors is well worth spending your pocket money on.
One of those songs that always reminds me of soul boys in Farah trousers and slow dances in disco pubs. Spent many a Saturday night dancing with a girl to this one — or trying to. This is a really fabulous performance of it.
The group’s organ player mentioned in the clip is a young man from Cleethorpes who went on to write Rock With You, Off The Wall, and Thriller amongst others.