Lucky Dip


Sparks are known for their hyper, outré style but my favourite record of theirs might be this beautiful, stately ballad which actually sounds quite heartfelt by their standards.

Download: Never Turn Your Back On Mother Earth – Sparks (mp3)

I was going to add it’s a perfect candidate for a cover version but discovered that several people have already done one.

Photo: Lady Bridget Poulett as ‘Arethusa’ by Madame Yevonde, 1935

The other 1978



The BRIT Awards weren’t always the slick extravaganza they are today, you know.

If it wasn’t for the presence of Ian Dury and Nick Lowe you wouldn’t have any clue that popular music had just gone through something of a revolution (and notice that neither of them got actual BPI awards). Rock industry awards are notoriously conservative but this is even less edgy and rock n’ roll than an episode of The Two Ronnies.

Something for the Weekend



Two of the best singles of the 1980s performed live in one video. Bargain!

The Art School of Rock

“The art schools from my time specialised in old-school teaching methods of brutalising your students with some wild thinking that was off the map.” — Pete Townshend

“The experience of just being at art school gave me a lot to draw on – Pulp’s most famous song [Common People] is about something that happened there – but on a deeper level I was taught to think about things in a non-lateral way.” — Jarvis Cocker

“I had no talent as an artist, no real interest in art. I really wanted to get into a band. And it seemed like all my favorite musicians had gone to art school. So I went to art school. I just figured my first day, I’d walk into the toilet and there’d be a bunch of guys with guitars, and we’d be all set.” – Mick Jones

Where would British pop music be without art schools? They’ve been the incubator for some of our best talent since the 1950s, the place where kids with creative inclinations can be in an environment with other outsiders and rebels who don’t fit into traditional higher education or want a job in a bank or office. Many of them end up picking up guitars instead of paintbrushes as a means of expression.

The list of pop/rock art school alumni includes John Lennon (Liverpool College of Art), Keith Richards (Sidcup Art School), Jimmy Page (Sutton Art College), John Cale (Goldsmiths), Pete Townshend, Freddie Mercury (Ealing Art College), Ray Davies, Adam Ant (Hornsey College of Art), Syd Barrett (Camberwell), Bryan Ferry (Newcastle College of Art), Brian Eno (Winchester College of Art), Malcolm McLaren (Croydon Art College), Ian Dury (Royal College of Art), Joe Strummer (Central School of Art & Design), Viv Albertine (Chelsea School of Art), Paul Simonon (Byam Shaw), Sade (St. Martin’s), and PJ Harvey (Yeovil Art College).

I went to one myself in the early 1980s. I had no thought of what sort of job or career I’d get out of it but I was, as the cliche went, “good at drawing” at school and didn’t fancy reading books for three years at a university, so art school it was.

To begin with I took a one-year Foundation Course which is designed to make you try everything before deciding what to study for your degree, so I dabbled in painting, sculpture, environmental art, printmaking, and even performance art (sadly my piece “The White Brick” wasn’t filmed for posterity). But going from my rather mundane secondary school art lessons to the radical, experimental atmosphere of an art school was a real challenge. My tutor was a hard-core conceptual artist who called my work “shit” at one point, and I was close to leaving the first term as I struggled to get to grips with some of the projects we were given. But I stuck with it and by the end it turned into one of most rewarding, transformative experiences of my life, as important to who I am as hearing The Jam for the first time.


A lot of my non-student friends thought I just drew pictures all day but art schools aren’t there to teach you how to draw. Instead they encourage creative thinking and rule-breaking expression. At least the good ones do. Even the graphic design degree course I took was more about teaching us to think originally than learning technical job skills, and we were hanging out with painters, sculptors, photographers, and video artists, so it was a very stimulating environment to be in. We got drunk a lot too, of course.

You can point to Pete Townshend smashing up his guitar, Bryan Ferry treating songs as collages, and the early visual style of The Clash as the direct result of their art school experiences, and there is a definite link between them and what makes British pop so distinctive: The synthesizing of influences, the emphasis on visual presentation, the conceptual cleverness, and the sense of playful, subversive adventure. At it’s very best it’s a fusion of avant-garde art theory and rock and roll.

Sadly I’m not sure how true any of this is anymore with higher education in the UK being more results-based now, and the introduction of student loans means that fewer kids are able to spend four years just pissing around being “creative” at art school without a proper job at the end of it. Maybe one reason British pop has lost its edge is that most of our new stars come from stage schools instead.

In case you’re wondering, I never started or joined a band at art school myself, but some of my mates did. They were called He’s Dead Jim and only played one gig, in the student canteen during an all-night sit-in. I did “play” keyboards for them during one garage rehearsal though, my technique very one-note and droney owing to the fact that I couldn’t actually play the instrument. But that never stopped Brian Eno, did it?

Download: Craise Finton Kirk Royal Academy Of Arts – Bee Gees (mp3)

Something for The Weekend



Apparently a lot of people want this song played at their funeral, but personally I think it’s so grandly beautiful it’s fit only for the deaths of Emperors, war heroes, gods, and angels.

Picture Post


The whiff of nostalgia coming off this photo is as strong as the smell of grease and vinegar probably was in the air.

That lovely little chip shop is glowing with fuggy, frying-tonight warmth, and the kids are a perfect lost-childhood vision of anoraks, jumpers, and bikes, looking so happy with what is probably their Friday night treat. Then there’s the boy sitting on the wall wearing on his feet what we called “basketball boots” that you used to get in Woolworth’s. They were like cheap, generic Converse hi-tops in an era when we didn’t know what Converse were. I spent a large part of my childhood in those so seeing them is really the icing on the memory cake — or the batter on the sausage.

This record makes me glow almost as much as that photo does, some sublime Latin Soul from 1972.

Download: Under The Street Lamp – Joe Bataan (mp3)

Something for The Weekend



“The Lionel Bart of the Seventies”

It’s Pretty Oop North


I’ve heard it can be anyway. Being one of those Londoners who got a nosebleed (and cultural panic) if he ventured north of Watford I couldn’t tell you myself. Short trips to Manchester and Newcastle are my only experience of that part of the country.

This is a really gorgeous track by British folky Catherine Howe from her “lost” 1971 album What A Beautiful Place. Apparently it’s about her hometown of Halifax which I’ve never been to either, but I doubt if it’s as pretty as this song.

Download: Up North – Catherine Howe (mp3)

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The sentimental musings of an ageing expat in words, music, and pictures. Mp3 files are up for a limited time so drink them while they're hot. Contact me: lee at londonlee dot com

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