A collaboration between Giorgio Moroder and Kylie Minogue is one of those which sounds like a dream on paper but in reality could have been a big let down. Glad to say that this is pretty great.
This was the first House record to make the charts in the UK but little did I know when I bought the 12″ back in 1986 that it would turn out to be as influential and game-changing as ‘Anarchy In The UK’. I knew it was a bloody great record though, with a beat and a vocal that leapt out of the speakers at you.
This performance by Darryl Pandy on Top of The Pops must have helped it make a splash too.
It’s mean but I feel like getting a time machine so I can go back and tell her what happens.
Download: Don’t Talk To Me About Love (Extended Version) – Altered Images (mp3)
I was doing a bit of crate-digging at home the other day and pulled out the 1985 compilation album Go Go Crankin’ which dates from that brief moment in the mid-80s when Go-Go music from Washington DC was the hottest thing around – at least on the London club scene and in trendy style magazines.
Go-Go was heavily percussive funk with an emphasis on extended live jams that had been a local scene in DC for years before it came to the attention of taste-makers and trendies on the other side of the pond. It was given a big push by Island Records, hyped by a big feature in The Face, and was very popular at London warehouse clubs like The Dirtbox where it shared turntable space with Rockabilly, Reggae, and Electro (clubs were a lot more eclectic in the days before House devoured the entire scene).
But despite the big push it never broke through to a mass audience the way Hip-Hop did, probably because Go-Go was more dependent on funky jams than snappy tunes — not surprisingly then that it’s high point in the UK was probably Trouble Funk’s famous gig at London’s Town & Country Club in 1986.
It’s brief moment in the English sun did bring us some great records though, of which Go Go Crankin’ was probably the most essential collection. I hadn’t played it in years and it’s still prime booty-shaking music.
Recorded from vinyl so forgive any sound imperfections.
Download: Let’s Get Small – Trouble Funk (mp3)
Download: Meet Me At The Go Go – Hot Cold Sweat (mp3)
Download: We Need Some Money – Chuck Brown & The Soul Searchers (mp3)
I’m pretty sure 16-year-old me hated this in 1978, but in my old age I’ve developed a thing for that “clear as a village church bell” voice that a lot of female English folk singers have. Though I wish they wouldn’t all dress like a serving wench at a Renaissance Fair.
Download: Catwoman – Shakespears Sister (mp3)
Speaking of bands that didn’t last very long. This Glam-stomping track is from their second and last album Hormonally Yours.
Pick up any Chill Out/Trip-Hop compilation CD from the end of the 20th century (there were lots of them) and you’ll see a whole host of bands who only flickered very briefly and are almost forgotten now: Sneaker Pimps, Smoke City, Olive, Dubstar, to name a few. They all had a signature song – usually because of it being used in a film or television commercial — but then failed to make much impact beyond that.
London duo Mono were another of those. They released one half-decent album Formica Blues in 1997, and then – poof! – they broke up. The album mostly follows the standard Trip-Hop template of drowsy electronic beats over movie-soundtrack instrumentation, but this single verged away from that into Saint Etienne territory and is all the better for it.
Download: Slimcea Girl – Mono (mp3)
This is the single PSB released after the massive “West End Girls” but it only got to #19 in the charts and there was a brief moment when I thought they were going to be one-hit wonders. Think it’s one of the loveliest records they made though.
PS: Is that Courtney Pine on sax? It is!