Something for the Weekend



Bold choice of Gary Numan to release a moody, violin-driven ballad with no actual chorus as a single from The Pleasure Principle but this still got to No.6 in the UK charts. Clearly the man could do no wrong in 1979, at least as far as the record-buying public were concerned.

Though it’s probably hip to like Numan now a lot of people thought he was a bit of a joke at the time (myself included), but this is one of his records (along with “Down In The Park”) that I loved even then. Terrific video too, looking very analog retro-futuristic now.

The Art School of Rock

“The art schools from my time specialised in old-school teaching methods of brutalising your students with some wild thinking that was off the map.” — Pete Townshend

“The experience of just being at art school gave me a lot to draw on – Pulp’s most famous song [Common People] is about something that happened there – but on a deeper level I was taught to think about things in a non-lateral way.” — Jarvis Cocker

“I had no talent as an artist, no real interest in art. I really wanted to get into a band. And it seemed like all my favorite musicians had gone to art school. So I went to art school. I just figured my first day, I’d walk into the toilet and there’d be a bunch of guys with guitars, and we’d be all set.” – Mick Jones

Where would British pop music be without art schools? They’ve been the incubator for some of our best talent since the 1950s, the place where kids with creative inclinations can be in an environment with other outsiders and rebels who don’t fit into traditional higher education or want a job in a bank or office. Many of them end up picking up guitars instead of paintbrushes as a means of expression.

The list of pop/rock art school alumni includes John Lennon (Liverpool College of Art), Keith Richards (Sidcup Art School), Jimmy Page (Sutton Art College), John Cale (Goldsmiths), Pete Townshend, Freddie Mercury (Ealing Art College), Ray Davies, Adam Ant (Hornsey College of Art), Syd Barrett (Camberwell), Bryan Ferry (Newcastle College of Art), Brian Eno (Winchester College of Art), Malcolm McLaren (Croydon Art College), Ian Dury (Royal College of Art), Joe Strummer (Central School of Art & Design), Viv Albertine (Chelsea School of Art), Paul Simonon (Byam Shaw), Sade (St. Martin’s), and PJ Harvey (Yeovil Art College).

I went to one myself in the early 1980s. I had no thought of what sort of job or career I’d get out of it but I was, as the cliche went, “good at drawing” at school and didn’t fancy reading books for three years at a university, so art school it was.

To begin with I took a one-year Foundation Course which is designed to make you try everything before deciding what to study for your degree, so I dabbled in painting, sculpture, environmental art, printmaking, and even performance art (sadly my piece “The White Brick” wasn’t filmed for posterity). But going from my rather mundane secondary school art lessons to the radical, experimental atmosphere of an art school was a real challenge. My tutor was a hard-core conceptual artist who called my work “shit” at one point, and I was close to leaving the first term as I struggled to get to grips with some of the projects we were given. But I stuck with it and by the end it turned into one of most rewarding, transformative experiences of my life, as important to who I am as hearing The Jam for the first time.


A lot of my non-student friends thought I just drew pictures all day but art schools aren’t there to teach you how to draw. Instead they encourage creative thinking and rule-breaking expression. At least the good ones do. Even the graphic design degree course I took was more about teaching us to think originally than learning technical job skills, and we were hanging out with painters, sculptors, photographers, and video artists, so it was a very stimulating environment to be in. We got drunk a lot too, of course.

You can point to Pete Townshend smashing up his guitar, Bryan Ferry treating songs as collages, and the early visual style of The Clash as the direct result of their art school experiences, and there is a definite link between them and what makes British pop so distinctive: The synthesizing of influences, the emphasis on visual presentation, the conceptual cleverness, and the sense of playful, subversive adventure. At it’s very best it’s a fusion of avant-garde art theory and rock and roll.

Sadly I’m not sure how true any of this is anymore with higher education in the UK being more results-based now, and the introduction of student loans means that fewer kids are able to spend four years just pissing around being “creative” at art school without a proper job at the end of it. Maybe one reason British pop has lost its edge is that most of our new stars come from stage schools instead.

In case you’re wondering, I never started or joined a band at art school myself, but some of my mates did. They were called He’s Dead Jim and only played one gig, in the student canteen during an all-night sit-in. I did “play” keyboards for them during one garage rehearsal though, my technique very one-note and droney owing to the fact that I couldn’t actually play the instrument. But that never stopped Brian Eno, did it?

Download: Craise Finton Kirk Royal Academy Of Arts – Bee Gees (mp3)

Schadenfreude


I’ve made no secret of my negative feelings about Brazil in the past, but in my (or anyone’s!) wildest dreams I couldn’t have imagined them taking a thumping like the one on Tuesday. It even made wanting Germany to win a football game less painful.

All together now: “Eins, zwei, drei, vier, fünf, sechs, sieben…”

Download: Numbers – Kraftwerk (mp3)

I shall be supporting Germany in the final too, but only because I want a European team to finally win a World Cup in South America. Hopefully that will the last time I find myself in the position of wanting them to win something.

New Monday



Terrific new single by synth songstress La Roux from her upcoming (and long overdue) second album.

Something for the Weekend



This clip — the Human League’s first ever appearance on television I believe — is from a show called Mainstream which I have no memory of and can find no information about on the internets. I may have scrubbed it from my memory though because the presenter was such a smug prick, he’s like the most superior and condescending record shop clerk in the world.

Secondary Modern(ism)



This is wonderful, like a segment from an avant garde Blue Peter with the kids making music with tape recorders instead of sticky-back plastic and old Cornflakes packets.

My music teacher at school was into Glenn Miller rather than John Cage so lessons were more In The Mood than experimental sound pictures.

(Discovered at The Belbury Parish Magazine)

Playing With the Art School Girls


Download: She’s Artistic – The Photos (mp3)

The Photos were touted as the new Blondie with their New Wave pop hooks and pretty lead singer Wendy Wu, but they crashed and burned after just the one album for reasons I’m not entirely sure about. I bought it but didn’t think they lived up to the hype. They did record a second album but it never got a proper release.

Pictured: The talented, beautiful, tragic Pauline Boty.

Something for the Weekend



Nice to see Talking Heads before they became a multimedia art project.

What’s it all about?

The sentimental musings of an ageing expat in words, music, and pictures. Mp3 files are up for a limited time so drink them while they're hot. Contact me: lee at londonlee dot com

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