Though this was a medium-sized hit in the UK in 1979 it became better known 10 years later when that great brass riff was sampled by S-Express which got to #1. I’m sure you don’t need me to tell you that the original is the best.
I love how the guy is playing bongos for what is obviously a synth-drum sound.
This was the first House record to make the charts in the UK but little did I know when I bought the 12″ back in 1986 that it would turn out to be as influential and game-changing as ‘Anarchy In The UK’. I knew it was a bloody great record though, with a beat and a vocal that leapt out of the speakers at you.
This performance by Darryl Pandy on Top of The Pops must have helped it make a splash too.
I was doing a bit of crate-digging at home the other day and pulled out the 1985 compilation album Go Go Crankin’ which dates from that brief moment in the mid-80s when Go-Go music from Washington DC was the hottest thing around – at least on the London club scene and in trendy style magazines.
Go-Go was heavily percussive funk with an emphasis on extended live jams that had been a local scene in DC for years before it came to the attention of taste-makers and trendies on the other side of the pond. It was given a big push by Island Records, hyped by a big feature in The Face, and was very popular at London warehouse clubs like The Dirtbox where it shared turntable space with Rockabilly, Reggae, and Electro (clubs were a lot more eclectic in the days before House devoured the entire scene).
But despite the big push it never broke through to a mass audience the way Hip-Hop did, probably because Go-Go was more dependent on funky jams than snappy tunes — not surprisingly then that it’s high point in the UK was probably Trouble Funk’s famous gig at London’s Town & Country Club in 1986.
It’s brief moment in the English sun did bring us some great records though, of which Go Go Crankin’ was probably the most essential collection. I hadn’t played it in years and it’s still prime booty-shaking music.
Recorded from vinyl so forgive any sound imperfections.
Posting that terrific Archie Bell & The Drells clip on Friday got me to dig out this old 12″ single. Wally Jump Jnr. & The Criminal Element was a pseudonym of legendary producer Arthur Baker and singers Donnie Calvin and Will Downing who released this version of “Tighten Up” in 1987 that mixed in a pinch of Janet Jackson’s “When I Think of You” with some massive drum beats to make one ferociously funky dancefloor workout.
BONUS BEATS: The same year Baker also put out the stonking “Put The Needle To The Record” under the name The Criminal Element Orchestra which sampled a little bit of “Kiss” by Prince with an even bigger drum sound and twisted, turned, and stretched it out into a pile-driving beat monster.