I’ve posted some great live clips here over the years and this is one of the best. This is from the 1985 American Music Awards and I think that’s The Revolution playing with her but I’m not 100% sure.
This is a great find, Debbie Harry (who looks stunning) singing with avant garde punk-funkers James White & The Blacks at Hurrahs in New York in 1980.
I don’t know if it was because things were so grim that people needed cheering up more, but there were a lot of novelty hits in the 1970s. 99.9% of them were terrible, but this one was marvelous and “My chiffon is wet, darling!” is still one of my favourite lines in pop.
“Disco Tex” was a fellow called Sir Monti Rock III and the group was the brainchild of The Four Seasons’ producer/writer Bob Crewe. This was a hit in 1974 before Disco went overground and became a cultural juggernaut so it was ahead of that curve, and its camp flamboyance was ahead of Sylvester and The Village People in being a hit that came out of gay club culture — both Rock and Crewe were gay and the record was made to sound like a live performance in a gay disco. Which just shows that even the silliest novelty record can have some sociological significance.
Download: Get Dancin’ – Disco Tex & The Sex-O-Lettes (mp3)
Keeping the (unintentional) dance music theme going this week. It’s a toss-up between this and “Lost In Music” for my favourite non-Chic Edwards/Rodgers production. Few records are this sublime and silly at the same time.
Right, that’s me done for the year. I’m taking the last bus out of Blogtown and heading home for the holidays. Hope you and yours have a good one and I’ll leave you with this funky gem from the classic Ze compilation A Christmas Record.
See you in the new year.
Download: Christmas On Riverside Drive – August Darnell (mp3)
So many memories tied up with this record. Certain clubs, a girlfriend, and the peak of my London boy-about-town life. Funky good times.
For a few years in the early 90s U2 forgot about being the saviours of rock and roll and remembered that they had once been a scrappy Post-Punk band. Trying to get that spirit back led them to make probably their best album in Achtung Baby and push their own envelope further with 12″ dance remixes of some of its singles.
These came out around the same time Primal Scream and Happy Mondays were mixing Rock with club beats so U2 were maybe bandwagon jumping a bit. The Perfecto mix of “Mysterious Ways” wouldn’t sound too out of place on Pills, Thrills, and Bellyaches which isn’t surprising as Mondays’ producer Paul Oakenfold was involved in it. The Solar Plexus mix is along the same lines but is even better I think — sounds like the drum roll from Steve Miller’s “Take The Money & Run” at the start of it.
Oakenfold also did the knob-twiddling honors on “Even Better Than The Real Thing” which is a more thorough deconstruction of the song, adding a big Rave beat and bringing the backing vocals forward into a euphoric wave-your-hands-in-the-air chorus. This version was a bigger hit in the UK than the original. The Sexy Dub mix is longer and more Rave-y and doesn’t feature Bono at all which may be a bonus for some people.
I know it’s the uncoolest thing in the world to say nice things about U2 these days, but I think they deserve some kudos for being more adventurous through this and the next couple of albums. Better than sticking their heads in the sand and just making another Joshua Tree which, being the biggest band in the world, they could easily have done and still made shed-loads of money.
Recorded from vinyl so forgive any imperfections.
Download: Mysterious Ways (Perfecto Mix) – U2 (mp3)
Download: Mysterious Ways (Solar Plexus Extended Club Mix) – U2 (mp3)
Download: Even Better Than The Real Thing (Perfecto Mix) – U2 (mp3)
Download: Even Better Than The Real Thing (Sexy Dub) – U2 (mp3)
This “Seven Minutes of Madness” remix by Coldcut from 1987 is still an amazing and radical piece of sound collage, throwing in Ofra Haza, Humphrey Bogart, James Brown, and a BBC Play School record while still keeping the bones of the original. Though we were all to get sick of that “This is a journey into sound” sample they were the first ones to use it.
Apparently Eric B dissed this as “Girly disco music”.