Right, that’s me done for the year. I’m taking the last bus out of Blogtown and heading home for the holidays. Hope you and yours have a good one and I’ll leave you with this funky gem from the classic Ze compilation A Christmas Record.
For a few years in the early 90s U2 forgot about being the saviours of rock and roll and remembered that they had once been a scrappy Post-Punk band. Trying to get that spirit back led them to make probably their best album in Achtung Baby and push their own envelope further with 12″ dance remixes of some of its singles.
These came out around the same time Primal Scream and Happy Mondays were mixing Rock with club beats so U2 were maybe bandwagon jumping a bit. The Perfecto mix of “Mysterious Ways” wouldn’t sound too out of place on Pills, Thrills, and Bellyaches which isn’t surprising as Mondays’ producer Paul Oakenfold was involved in it. The Solar Plexus mix is along the same lines but is even better I think — sounds like the drum roll from Steve Miller’s “Take The Money & Run” at the start of it.
Oakenfold also did the knob-twiddling honors on “Even Better Than The Real Thing” which is a more thorough deconstruction of the song, adding a big Rave beat and bringing the backing vocals forward into a euphoric wave-your-hands-in-the-air chorus. This version was a bigger hit in the UK than the original. The Sexy Dub mix is longer and more Rave-y and doesn’t feature Bono at all which may be a bonus for some people.
I know it’s the uncoolest thing in the world to say nice things about U2 these days, but I think they deserve some kudos for being more adventurous through this and the next couple of albums. Better than sticking their heads in the sand and just making another Joshua Tree which, being the biggest band in the world, they could easily have done and still made shed-loads of money.
This “Seven Minutes of Madness” remix by Coldcut from 1987 is still an amazing and radical piece of sound collage, throwing in Ofra Haza, Humphrey Bogart, James Brown, and a BBC Play School record while still keeping the bones of the original. Though we were all to get sick of that “This is a journey into sound” sample they were the first ones to use it.
Apparently Eric B dissed this as “Girly disco music”.
Disco didn’t produce many great bands because that’s not what it was all about, but Chic must be one of the greatest in any genre — certainly one of the best rhythm sections ever — and they produced some marvelous records for other people too. Not that I give a shit about the Rock and Roll Hall of Fame but the fact that they’ve been nominated 10 times and failed to get in is a sad indictment of those rockist wankers.
Producer Arthur Baker made quite the splash in 1982. First he unleashed the revolutionary “Planet Rock” on the world and changed dance music forever — I still remember the first time I heard it — and had his first big popular hit with this classic cover of an Eddy Grant song which took over dance floors all over the land that year.
After that double whammy Baker became one of the hottest knob-twiddlers around, in demand as a remixer, and producing other megahits like Freeez’s “I.O.U”. Even those gloomy buggers New Order flew over to New York to touch the hem of his garment and work with him on “Confusion” — which, to be frank, was a bit of a let-down and nowhere near as good as this track.
I’ve always thought of this as a perfect 12″ single, even though it lasts an epic 9.5 minutes it never feels too long (unlike some extended mixes). In fact, I think I’d be happy if this went on forever.
The SOS Band were one of the acts (along with Alexander O’Neal) that Jimmy Jam and Terry Lewis honed their production chops on before hitting the really big time with Janet Jackson. This was their first hit and you can already hear that signature drum machine sound (a Roland TR-808) which pretty much defined 80s dance music.
An absolute classic record, and extra marks for the guy playing a Keytar. Don’t see enough of those these days.