This clip is the sort of thing you’d think only existed in the “What if?” fantasies of music nerds, but it actually happened.
This “Seven Minutes of Madness” remix by Coldcut from 1987 is still an amazing and radical piece of sound collage, throwing in Ofra Haza, Humphrey Bogart, James Brown, and a BBC Play School record while still keeping the bones of the original. Though we were all to get sick of that “This is a journey into sound” sample they were the first ones to use it.
Apparently Eric B dissed this as “Girly disco music”.
Disco didn’t produce many great bands because that’s not what it was all about, but Chic must be one of the greatest in any genre — certainly one of the best rhythm sections ever — and they produced some marvelous records for other people too. Not that I give a shit about the Rock and Roll Hall of Fame but the fact that they’ve been nominated 10 times and failed to get in is a sad indictment of those rockist wankers.
Want to see Public Enemy walking around 1980s London in a video introduced by Tim Westwood wearing an MA1 flying jacket? Of course you do. Those were the days.
I saw Public Enemy live in 1992 supporting U2 at Tampa football stadium of all places (Big Audio Dynamite were also on the bill). It was my first week living in Florida and my first experience of how American rock audiences didn’t give a shit about — and were even hostile to — black music, especially in the South. I was all excited about seeing PUBLIC ENEMY but no one else around me seemed to care. Personally I thought it was brilliant when Flavor Flav chased Chuck D around the stage dressed in a Ku Klux Klan outfit.
What a mind-blowing record this still is. Westwood’s phony American “street” accent sounds really dumb though.
A David Bowie clip is twice as cool when it involves Luther Vandross (he’s the far left backing singer).
I don’t think I’ve seen this ad since it was on the telly in 1976 but I could still remember every word of it — especially “Come back, Chuck” which became a playground catchphrase for a while. That says something about how brilliant it was.
Nearly 40 years later and Poly Styrene is still as startling and original as ever – musically, lyrically, and visually.
Eight minutes of magnificently over-the-top glam rock and roll brilliance. Just when you think it’s climaxed Marc finds another level.
Apparently the reason this was called “Bang A Gong” in the US was because there was already a song called “Get It On” in the charts by some group called Chase. I’d never heard of them before either.