One of several songs that came to mind while watching the Republican convention this week.
With Britain being wrecked by two old Etonians this song is now more documentary than allegory.
Haven’t watched any live Jam videos for a long time and it was a pleasure to be reminded how bloody great they were. I made the right choice of favourite band when I was a teenager.
Well, this is a fine mess we’ve gotten ourselves into.
I’m all for people rebelling against the establishment, and I understand the impotent rage people feel against the forces of globalization wrecking their lives, but all the Brexit result will do is hand power from one bunch of rich toffs to another, ones who have since been shown to have lied about their promises and have no plan for what to do next. If voters outside London think those wankers are going to invest in them as much as the EU has they’re in for a rude awakening. I wish I could feel some schadenfreude over that but I’m too fucking angry.
As there seems to be some buyer’s remorse setting in, and with the economic consequences of Brexit already apparent (not to mention the potential break-up of the UK) some think that the next PM will bottle out of going through with it. But that will only enrage the hardcore Leavers and lead to a surge in support for UKIP from them — violence against immigrants is already on the rise. And just when you need a strong opposition to provide an alternative, the fucking Labour Party goes and implodes.
I really don’t see a good way out of this at the moment. Thanks Cameron!
Download: There’ll Always Be An England – Vera Lynn (mp3)
The world is such a depressing place at the moment. Terrorism, mass shootings, beloved music icons dying, and politics on both sides of the Atlantic becoming a fucked-up mix of circus clown show and Nuremberg rally.
Being English I’m normally a gloomy, glass-half-empty pessimist but I find that having kids is the antidote to that. Sorry if this is a naff greetings card sentiment, but having them in your life (when they’re not complaining anyway) makes the world seem not entirely shitty. Booze helps too.
And music of course. Think I may have posted it before years ago but, what the hell, it’s one of the best extended mixes I have.
Download: I Could Be Happy (12″ mix) – Altered Images (mp3)
I was very sad to hear about the death of designer David King last week. He was one of the greats of British graphic design and if you don’t know his name you certainly know his work, and may even have some of it in your house.
King was art editor at The Sunday Times Magazine from 1965-75 when it published serious, hard-hitting photojournalism by great photographers like Don McCullin (instead of the celeb/lifestyle fluff it goes in for now). King was always more interested in telling a story and getting a message across than he was in pretty design frippery so his layouts have a directness that still packs a punch today.
While working at the magazine King also designed album sleeves for Track Records. Just a little earner on the side that happened to produce at least two iconic classics.
The Electric Ladyland cover only took 36 hours from concept to completion, and King’s intention was to produce an anti-Playboy image showing women as they really are in all their unpolished beauty. For his efforts, Jimi Hendrix said he had no idea what it was all about and the sleeve was banned in the USA.
When he left The Times, King channeled his political beliefs into work for the Anti-Apartheid movement and Anti-Nazi League. It was his work for the latter that had the most impact and is probably the best remembered today, especially if you were around in the late 70s when the ANL teamed up with Rock Against Racism to help fight the influence of the NF on young people.
King attempted to create a visual language for the Left in England that was bolder and more memorable than the usual hand-made, photocopied flyer. Like his magazine work, these posters didn’t fuck around with niceties and instantly grabbed your attention. There’s no doubt that his posters helped the visibility of the ANL and RAR and you can still see their influence in the typography on placards at demos in London.
He brought the same bold style to his covers for London listings magazine City Limits which he designed for a year in 1982. Heavily influenced by Russian Constructivists like Rodchenko, he made the most of the limited budget the magazine had to produce eye-popping covers that leapt off the newsagent shelves.
King quit the design business in the 80s — not surprising, given his politics and the superficial, glossy turn graphics took that decade — to concentrate on building his collection of Revolutionary Soviet design and photography which he published several acclaimed books of.
The collection grew to be the biggest of its kind in the world and David licensed images to other publications. Because of this I had the pleasure of speaking with him on the phone about 10 years ago when I needed an image for a magazine article I was designing about an obscure Russian writer. His collection wasn’t online and you had to call David and ask him for the image which he’d mail you a slide of — that was old school even then. He couldn’t have been nicer or more helpful, and it did give me a chance to tell him how much I’d loved his work over the years.
The first band that comes to mind when I think of the Anti-Nazi League and Rock Against Racism is this lot.
Download: Ain’t Gonna Take It – Tom Robinson Band (mp3)
This jolly tune was a regular play on Junior Choice when I was a kid, and hearing it 40-plus years later still takes me back to my bedroom on a damp Sunday morning listening Ed Stewart on the radio. Gives me the warm fuzzies it does.
Download: The Laughing Policeman – Charles Penrose (mp3)
I knew this was an old record but had no idea it dated back to the 1920s.
I originally intended to post this clip last week before my ISP put up a roadblock so here it is again. Tom Robinson performing the title track of his classic debut album (in New Jersey of all places) and doing a Maggie Thatcher impersonation — this was only two months after she first became Prime Minister.
Graham Parker’s “You Can’t Be Too Strong” (from his classic 1979 album Squeezing Out Sparks) is a song about abortion which has been misinterpreted by some as pro-life because it has lines like “washed it away as if it wasn’t real” and a verse sung from the perspective of the embryo. But the only person vilified in the song is the man who got the girl pregnant and ran away from his responsibilities, leaving her with an awful choice to make. In 35 years of listening to it the only impression I got was that it was just a sad situation for all concerned. “You decide what’s wrong” he sings at the end of the chorus.
Rock songs like to deal with social and political issues in simple, singalong, punch-the-air cliches and you don’t often get a measured, nuanced take on a subject like this.
Download: You Can’t Be Too Strong – Graham Parker (mp3)