As summer is over I wasn’t going to put up any new t-shirt designs until next year, but I’ve sold a few in the past month so I guess it must still be warm somewhere. As usual this is only $14 for a limited time so get it now. Early Christmas presents maybe?
This was New Order’s second single but is less well known than it’s b-side “Everything’s Gone Green” probably because the latter points more toward the direction the band was to take. It’s a slight song but I always liked it, especially those lovely synth washes.
Dr. Who & The Daleks, the 1965 film with Peter Cushing as the Doctor, was on TV here the other week. It was the first time my kids had seen Daleks so I hyped up them up beforehand with tales of how much they scared me when I was young.
Now, my kids love Ray Harryhausen films so they’re not some jaded modern youths only impressed by state-of-the-art CGI, but sadly the Daleks didn’t frighten them in the slightest. Admittedly it isn’t a very good film, and it probably didn’t help that in it these supposedly terrifying machines were incapable of moving on a carpet. But still, at no point did either of the kids hide behind the couch which was very disappointing.
But the kid in me always gets a kick out of seeing the Daleks in widescreen colour instead of the grainy, black and white TV figures of my youth. The adult in me didn’t mind the lovely Jennie Linden either, that’s the young lady the Dalek is getting fresh with in the picture above. Careful where you’re pointing that plunger.
Dalek I Love You was a post-punk synthpop group from Liverpool who weren’t all that successful and it’s members more famous for other bands they were in. Formed by Alan Gill and David Balfe who later joined The Teardrop Explodes (where Gill co-wrote “Reward”), the lineup at one point also included Andy McCluskey before he formed Orchestral Manoeuvres in the Dark. This was a single from their 1980 album Compass Kumpas by which time they’d shortened their name to Dalek I. Didn’t make any difference to their record sales though.
Here’s one last great flipside for the time being. This ethereal beauty was the b-side of “Mr. X”, the second single from Pauline Murray’s 1980 album with The Invisible Girls which you should all know by now I think is one of the all-time great post-punk records. God knows I’ve gone on about it enough times.
This was a non-album track not included in the first CD reissue of the album so I’ve had a few requests to post it again since I first did years ago. It’s now on the latest version along with a bag-load of other new extras so it’s not so rare anymore, but you can’t beat the crackle of the original vinyl.
“The Staircase (Mystery)” was The Banshees’ 1979 follow-up to their classic debut single “Hong Kong Garden” and I’ve never thought it was anywhere near as good as that. I kept the single all these years because of the flipside though, Siouxsie showing her Glam love with a cover of the T.Rex track which is a lot of glitter-stomping fun.
This is another b-side that was unavailable anywhere for years until the 2004 release of the Downside Up collection of Banshees’ b-sides. That seems to be out of print now so this has gone back to being rare again.
Had another stroll down 45 memory lane the other day and pulled this plum out of the singles box. You probably all know the a-side “Plain Sailing” from her 1982 student-bedsit classic album A Distant Shore, but it was the other side I loved more. “Goodbye Joe” is a cover of a Monochrome Set song and is a beautiful little gem of a track. Those were the days when you were more likely than not to find such hidden treasure on the other side of a single. We got our money’s worth back then.
I have posted this track before but I think it was long enough ago — eight years! — to warrant doing it again. Another reason is it’s only available on a rather expensive Cherry Red boxset which is a shame. Such beauty shouldn’t be so rare.