Off The Shelves


The Saturday job I had in the record department of the Putney WH Smith in the late 70s might not have been as hip as working at Rough Trade or Groove Records, but the guy who ran the department was a serious music geek as were the kids I worked with and we stocked plenty of Post-Punk and Indie records, and had a good section of 12″ singles. There were three independent record shops on Putney High Street at the time (three!) and we considered them our competition, not Woolies or Boot’s.

The naff brown blazers and ties we had to wear didn’t make us look very cool but if you came into the store on a Saturday you’d be just as likely to hear The Jam or Joy Division playing than Neil Diamond or ABBA, much to the annoyance of the store manager. One time he came over when we were playing Gary Numan’s The Pleasure Principle album and said “Take this off and play something more popular!” to which one of the kids snarkily replied “Actually, it’s Number One at the moment.” First time I ever heard Unknown Pleasures was while working there.

But Smiths were still a “respectable” High Street chain better known for selling books and stationery than edgy records. One Saturday in 1979 a letter arrived from corporate HQ in Swindon telling us to remove from the racks all copies of the debut albums by Public Image and Stiff Little Fingers as the company would no longer be selling them — in other words, they were being banned.


The letter never gave any reason (it may have actually been two separate letters at different times, my memory is hazy on that point) but it wasn’t hard to figure out why they considered SLF’s Inflammable Material so controversial with it’s abrasive songs about the Northern Ireland conflict. We were a little puzzled about the Public Image album, but decided that it was down to the “sacrilegious” song “Religion” which would probably still ruffle a few feathers today.

The strange thing was that both albums had been out for a while, the Public Image album was nearly a year old, so this was a case of shutting the barn door after the horse had bolted. I can only imagine that the old duffers who ran Smiths were a bit slow on the uptake, or maybe they’d had a few Mr. Angry letters from outraged customers — I once had a woman return a Billy Connolly album to the store complaining that one of the sketches on it was “blasphemous”. The Stiff Little Fingers ban was obviously blatant political censorship though, the Chairman of Smiths at the time was a chap called Sir Charles Hugh Willis Troughton and with a name like that you can imagine what his political sympathies were. He probably went to public school with half the Thatcher cabinet.

I don’t remember any of this being in the news back then, not even the music press who you think would be outraged at the establishment once again banning rock records, but the whole event seemed to be unnoticed except for those of us who worked at Smiths.

Smiths doesn’t sell music anymore (neither does any other High Street store) and now John Lydon does butter commercials while Stiff Little Fingers are on the punk nostalgia circuit. But there was a time when they were considered an affront to the decent law-abiding citizens who popped into Smiths to get their TV Times and the latest Barry Manilow album. You can’t say this about a lot of music from back then, but these records do still sound confrontational. Still worth banning, really.

Download: Religion II – Public Image Limited (mp3)
Download: Suspect Device – Stiff Little Fingers (mp3)

Something for the Weekend



The B-52s captured live in a small hometown club before their first album had come out. The video quality makes it look really ancient but it’s “only” 1978. Then again, that was 36 years ago. Gulp.

Something for the Weekend



“Please keep this kind of thing for the council estates and not in the homes of decent people”

Something for the Weekend



Couldn’t decide between videos of Leo Sayer or Todd Rungren for today. So I went with The Clash instead.

But don’t worry, those other two will be appearing soon.

Something for the Weekend



The Motors: Walking the thin line between New Wave and Status Quo.

The Tribes of Britain



Download: Boys and Girls – Reparata & the Delrons (mp3)



Download: To Be Someone (Demo) – The Jam (mp3)




Download: Teenage Lament ’74 – Alice Cooper (mp3)




Download: Hersham Boys – Sham 69 (mp3)

Fight The Power (Again)


Originally posted April 2007

“They are the first band not to shrug off their political stance as soon as they walk out of the recording studio. The first band with sufficient pure, undiluted unrepentant bottle to keep their crooning necks firmly on the uncompromising line of commitment when life would be infinitely easier — and no less of a commercial success — if they made their excuses and left before the riot.”

Julie Burchill and Tony Parsons
“The Boy Looked At Johnny” (1978)

It’s hard to overstate what a ballsy move it was for Tom Robinson to follow his catchy, radio-friendly Top 5 pop hit “2-4-6-8 Motorway” in 1977 with the strident anthem “Glad To Be Gay” but that was a time when lines were being drawn all across Britain and a lot of people felt they had to declare which side of the barricades they were on. It’s a lot easier being openly gay these days, cool even, than it was back then when homosexuals were often thought of as either perverted kiddie fiddlers or John Inman. A mate of mine at school told me he threw away his copy of “Motorway” in disgust when he found out Robinson was “a bloody shirtlifter” — but he joined the Young Conservatives when he left school so I guess he had issues.

Their third single “Up Against The Wall” is one of the most blistering records to come out of punk, a riot of guitars and pulverizing drumming (the terrific Danny Kustow and Dolphin Taylor) that hits you like a boot in the groin — or a truncheon over the head. This led off their classic 1978 debut album Power In The Darkness which, along with the first Clash album, is the best snapshot of the tense, angry atmosphere in England at the time. Some of it seems like naive sloganeering now but back then it felt like life and death, you were either on Tom’s side or you were with the National Front and the SPG.

Download: Glad To Be Gay – Tom Robinson Band (mp3)
Download: Up Against The Wall – Tom Robinson Band (mp3)
Buy: “Power In The Darkness” (album)

Something for the Weekend



This was the only record by The Tubes I ever owned but I’d loved to have seen them live because their shows were (in)famous — for reasons which are clear from this clip, especially the last few minutes. I think seeing this would have blown my teenage mind.

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The sentimental musings of an ageing expat in words, music, and pictures. Mp3 files are up for a limited time so drink them while they're hot. Contact me: lee at londonlee dot com

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