January 7th, 2015
Looks like she enjoyed Last Tango In Paris. I think this is outside the Prince Charles Cinema in Soho.
Download: Good Girls – Merry Clayton (mp3)
You don’t need me to tell you that Merry Clayton was the wailing backing voice on The Stones’ “Gimme Shelter” or that her own version of the song is fabulously funky. “Good Girls” was the b-side of that and is also on her 1970 debut album.
December 12th, 2014
Sometimes it can take a while to choose a clip for my Friday post. But sometimes I see one that’s so great I immediately know I don’t have to look any further.
This is one of those. Just fantastic.
October 10th, 2014
One of those songs that always reminds me of soul boys in Farah trousers and slow dances in disco pubs. Spent many a Saturday night dancing with a girl to this one — or trying to. This is a really fabulous performance of it.
The group’s organ player mentioned in the clip is a young man from Cleethorpes who went on to write Rock With You, Off The Wall, and Thriller amongst others.
August 20th, 2014
I can’t remember why I bought the 12″ of “Where Does That Boy Hang Out?” by David Lasley in 1984 because I’m pretty sure I hadn’t heard it (doubt if it was ever played on the radio) and I had no idea who Lasley was either. I think it was as simple as liking the song title and the fact that it was produced by Don Was. Some of you kids might find this hard to believe but in those pre-internet days you couldn’t hear every record ever made and sometimes bought them unheard on a whim or a hunch. Back then I had the disposable income to do so, too.
I’m really glad I did buy it because it’s a terrific blue-eyed soul record, and the b-side “Saved By Love” is equally great too. Lasley has a gorgeous, soulful falsetto voice and was better known for singing on other people’s records (Chic, Sister Sledge, and Odyssey among others) than his own, and he also wrote “You Bring Me Joy” for Anita Baker. He only made a few solo albums and the original versions of these were on Raindance which is out of print now.
Download: Where Does That Boy Hang Out? (12″ version) – David Lasley (mp3)
Download: Saved By Love – David Lasley (mp3)
July 22nd, 2014
Back (sadly) from our holidays in Rhode Island. Had a great time, though as you can see from the above photo, the wife had to go catch our dinner every night.
Seized by a bout of nostalgia for late-90s club music I took on the trip the CD Beach House, one of the many, many Hed Kandi compilations I bought back then — just looking at the distinctive sleeves they had sends me back in time.
The first track on the album is “Music and Wine” by Blue 6 which originally came out on Naked Music, another label I bought a lot of back then with equally distinctive sleeves. Naked specialized in smooth and soulful dance music and “Music and Wine” is one of the most sublime, summery House records you’ll ever hear. It was my favourite single of 1999 and still sounds wonderful.
Download: Music & Wine (Original Funkaphonic Vocal) – Blue 6 (mp3)
Give me a few days to get back up to speed here.
July 7th, 2014
I’ve been playing this song a lot lately. I’ve known it since it was a hit in 1973 so it’s far from being a new record to me but I heard it again recently and was suddenly struck by what an utterly great pop-soul record it was, with a sunny and breezy charm that’s quite, well, magic. Music is funny like that sometimes, one minute a record is like wallpaper — always there but not really noticed — the next you see it’s beauty with new eyes (or ears in this case).
And what a great name for a band Limmie & The Family Cookin’ is. They were formed in Ohio by Limmie Snell and his sisters Martha and Jimmie — the latter of whom is the sweet voice on this — who never had any hits at home but scored three in the UK of which “Magic” was the first and biggest.
Not sure if a song that got to #3 in the charts can qualify as a “lost” classic but I think this is one of those records that only people of a certain age know, and for some of us perfectly captures Radio One in the 1970s.
Download: You Can Do Magic – Limmie & The Family Cookin’ (mp3)
April 29th, 2014
When I think of living rooms in the 1970s certain things always come to mind: brown shag carpet, G-Plan furniture, spider plants, an Alphonse Mucha poster on the wall, and on a shelf a copy of Motown Chartbusters Vol. Six with the bluebottle-spaceship cover painted by Roger Dean.
As a kid I thought that spaceship was fantastic — though I had no idea what it had to do with Motown — and was a big fan of Dean’s work along with other SF/Fantasy artists like Chris Foss and Patrick Woodroffe whose art adorned the covers of the SF novels I was reading. Before I started spending all my money on records I spent it on collections of their work like Dean’s book Views. My number one artistic wish at the time was to draw Marvel comics, but second would have been to paint like those guys.
Dean is best known for his Prog Rock album covers, particularly those for Yes so he might seem a strange choice of artist for Motown to commission, but the album came out in 1971 early in his career before he was too closely associated with Prog. He had already painted a couple of album covers for Afrobeat group Osibisa so he did have some previous with black music.
Looking at this and the Motown album I’m thinking George Clinton should have got Dean to do some Parliament/Funkadelic sleeves.
Though there was never a set style for the Chartbusters series, most volumes usually had art that was either abstract or generic and a bug-spaceship may not seem like the sort of imagery you’d associate with a soul record. Hiring Dean could have been another of Motown’s attempts to appear more tuned-in and hip to the long-haired generation. In the 60s they’d added psychedelic flourishes to records and released more socially-aware material, and Vol. Six came out the same year as What’s Going On? so this may have been a way of selling some more of that counterculture vibe.
Whatever their reasons they got a sleeve that is highly memorable and distinctive because it’s so unexpected, and I wish they’d given Dean the whole series to do. I also love how the back cover imagines a Motortown Review in the futuristic date of 2008 happening on a spaceship. Unfortunately we know the reality wasn’t quite so far-out.
Download: Nathan Jones – The Supremes (mp3)
Download: Indiana Wants Me – R. Dean Taylor (mp3)
April 15th, 2014
This ad is a classic example of turning rebellion into money, in this case using women’s lib to sell booze. These ads are never aimed at people who already are adventurous, rebellious rule-breakers, but instead they’re for people who want to be like that. The message is always the same: Drink this, eat that, wear this, listen to that band, and you will be a cool person. One of the good things about getting older is not caring too much about that anymore, which is why advertisers don’t care about my demographic either.
The “until I discovered Smirnoff” campaign was so famous it inspired jokes like “I thought Cunnilingus was an Irish airline until I discovered Smirnoff” but was stopped in 1975 when the British government passed a law against alcohol advertising that claimed drinking the product would lead to sexual or social success. This is a witty ad but it does unfortunately equate women’s liberation with being sexually available, especially once you’ve got a few vodkas inside you.
Smirnoff certainly wasn’t the first company to co-op youth or social movements for the purposes of capitalism but I wonder who was. Probably someone in the 1920s using the Bright Young Things to sell headache powders.
Let’s get funky.
Download: Liberation Conversation – Marlena Shaw (mp3)