November 27th, 2014
It’s Thanksgiving here in American today. It took me years to get used to having a festive roast turkey dinner in November instead of December but now I like having the extra holiday which makes up for the fact that most Americans only get one day off for Christmas.
I will, however, never get used to the fact that they have their big holiday meal with mashed potatoes instead of roast. I love mash but I always associate it with after-school tea when I was a kid (usually with sausages or fish fingers), and it just doesn’t seem special enough to serve with a roast bird, stuffing, gravy etc. Times like this I think I will always be a stranger in this country no matter how long I live here.
Anyway, happy Thanksgiving to all my American readers. Why not give roast potatoes a try this year?
I posted this song before many years ago but it’s great enough for a repeat.
Download: Thank You – Pale Fountains (mp3)
Image: Freedom From Want by Norman Rockwell.
August 4th, 2014
Searching around music sites for new sounds can be a bit daunting because there’s so much out there and it’s often pot luck that I find anything I like. I only clicked on this video because the song was called “Archie, Marry Me” which sounded fun and I’m really glad I did as this is terrific.
Alvvays are a Canadian band who play sunny, jingle-jangle indiepop that might not sound very original but they do it very well. Their debut album is out now and has nine tracks of similarly wonderful C-86 goodness.
June 20th, 2014
I dressed a lot like Edwyn Collins back then. I had the vintage shirts, the bootlace tie, the Chelsea boots, the haircut. But somehow I never looked as cool as him.
April 14th, 2014
This gorgeous track originally came out in 1999 so it’s far from new, but The Clientele are reissuing their early singles collection Suburban Light on vinyl next month so I thought I’d give it and them a plug as they’re nowhere near as well known and loved as they should be, especially in their native England.
Like a lot of Clientele records, “Reflections After Jane” is like this blog in musical form: wistful, hazily nostalgic for half-remembered days, long shadows, fading sunlight, London after the rain, cafes with fogged-up windows. All that good stuff.
January 27th, 2014
I don’t think this song has anything to do with the film beyond the title, but it’s one of Nick’s best choons and this is a lovely version of it.
Download: Whistle Down The Wind (acoustic version) – Nick Heyward (mp3)
January 17th, 2014
Highly appropriate that this should be directed by a man called Christopher Robin. As if last week’s Pale Fountains video was directed by a Holden Caulfield.
January 10th, 2014
I only just discovered that this video exists the other day. Very dated now but The Paleys are looking quite Indie Chic.
November 26th, 2013
We all know what Mods, Skins, and Punks dress like, but what is Indie style? This is a question the new book A Scene In Between: Tripping Through the Fashions of UK Indie Music 1980-1988 attempts to answer with a collection of photos from the years between Post-Punk and Acid House.
The word “Indie” has long since ceased to simply mean a band on an independent label – I wouldn’t really call New Order Indie – but instead came to describe a certain lo-fi scruffy amateurism, jangly guitars, and singers with fey voices who probably got beaten up a lot at school. The basic template was sketched out early on by Orange Juice and The Marine Girls, then coloured in (with crayons) by the bands on the NME’s C86 cassette.
The fresh-faced charm of the music was reflected in a charity shop-bought style that seemed raided from the band’s childhood wardrobes: anoraks, duffel coats, cardigans, v-neck jumpers, floral dresses, stripey t-shirts, sandals, and plimsolls. At the noisier end of the Indie spectrum where bands like The Jesus and Mary Chain lived the look was slightly more Velvet Underground, but generally the aesthetic was more Ladybird Books than CBGB’s, with a lot of Jean Seberg in Breathless thrown in for the girls.
I was never a full-blown Indie Kid myself, but in the early 80s I did have an anorak and wore those blue deck shoes from Millet’s that were all the rage for a while. At the time I was going out with a girl who dressed exactly like the one in the photo above (except her hair was a peroxide flat-top) whose best mate Eithne was even more Indie-stylish and later made the step from fan to starlet when she joined Twee popsters Talulah Gosh (she’s playing the tambourine in this video). We went to see her play live with them one night and backstage after the show I was amused to see Eithne and Amelia Fletcher surrounded by earnestly shy boys who obviously had major crushes on them. First time I’ve ever seen groupies wearing anoraks, though they were probably offering them mixtapes, not sex and drugs.
Though it’s easy to mock the music and the fashion as “Twee” – and a lot of it was a bit too wet and mopey for me — the Indie scene of the 80s was carrying on the DIY philosophy of Punk at a time when most pop music (and its accompanying fashions and videos) was very polished and materialistic, so in a way they were being quietly radical. Very quietly — while wearing anoraks.
Download: Blue Boy – Orange Juice (mp3)
Download: Velocity Girl – Primal Scream (mp3)
Download: Beatnik Boy – Talulah Gosh (mp3)